Samurai I: Musashi Miyamoto (1954), Samurai Trilogy 1: Musashi Miyamoto
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Best friends Takezo (Toshirô Mifune) and Matahachi (Rentarô Mikuni) joined the army expecting glory. But after their side is defeated, they are labeled as traitors & become fugitives from the law. Surprisingly though, when Takezo is eventually captured, he isn"t executed. Instead a sympathetic Buddhist priest takes him under his wing and offers lớn train him in the ways of the samurai, even if he"d rather escape và run off into the country with the beautiful Otsu (Kaoru Yachigusa). Show More
Genre: Adventure
Original Language: Japanese
Release Date (Theaters): Nov 18, 1955 original
Release Date (Streaming): Mar 8, 2017
Runtime: 1h 32m
Distributor: Fine Arts Film Inc.
Production Co: Toho Company Ltd.
Cast và Crew
Toshiro Mifune
Musashi Miyamoto
Kaoru Yachigusa
Otsu
Rentarô Mikuni
Honiden Matahachi
Mariko Okada
Akemi
Kuroemon Onoe
Takuan Osho
Mitsuko Mito
Oko
Eiko Miyoshi
Osugi
Hiroshi Inagaki
Director
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Critic reviews for Samurai I
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Full Review… Sean Axmaker Stream on Demand Full Review… Hoshi Soffen Shin Nichibei/New Japanese American News Full Review… Christopher Machell Cine
Vue Full Review… Dennis Schwartz Dennis Schwartz Movie đánh giá Full Review… Gabe Leibowitz Film & Felt
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In the first part of the epic Samurai Trilogy, Toshiro Mifune thunders onto the screen as the iconic title character. When we meet him, Miyamoto is a wide-eyed romantic, dreaming of military glory in the civil war that is ravaging the seventeenth-century countryside. Twists of fate, however, turn him into a fugitive. But he is saved by a woman who loves him và a cunning priest who guides him to the samurai path. Though the opening installment of a series, this film, lushly photographed in color, stands on its own, và won an Academy Award for the best foreign-language film of 1955.
Collector"s Set
Collector"s Set
Watch Now On
Cast
Toshiro Mifune
Takezo/Musashi Miyamoto
Rentaro Mikuni
Honiden Matahachi
Kuroemon Onoe
Takuan
Kaoru Yachigusa
Xem thêm: Các Món Từ Cánh Gà Ăn Cơm, Ăn Nhậu Đều Được
OtsuMariko Okada
Akemi
Mitsuko Mito
Oko
Eiko Miyoshi
Osugi
Akihiko Hirata
Seijuro Yoshioka
Kusuo Abe
Temma Tsujikaze
Credits
Director
Hiroshi Inagaki
Producer
Kazuo Takimura
Screenplay
Tokuhei Wakao
Screenplay
Hiroshi Inagaki
From Hideji Hojo’s adaptation of Musashi, by
Eiji Yoshikawa
Cinematography
Jun Yasumoto
Art direction
Kisaku Ito
Art direction
Makoto Sono
Lighting
Shigeru Mori
Sound
Choshichiro Mikami
Music
Ikuma Dan
The warrior & philosopher protagonist of The Samurai Trilogy, Musashi Miyamoto, was a real-life seventeenth-century figure. Here, the translator of Musashi’s The Book of Five Rings tells us about this fascinating man & his principles of swordpl
…Hiroshi Inagaki’s action epic is as responsible for creating Toshiro Mifune’s legendary cinematic persona as the films of Kurosawa.
Hiroshi Inagaki’s Samurai Trilogy, of which this release is the first part, was adapted from Eiji Yoshikawa’s epic novel Musashi Miyamoto, which has been called Japan’s Gone with the Wind. The comparison is valid, for the tale of the medieval s…
Author, actor, and historian Ricky Jay first worked with director David Mamet on House of Games. They have since collaborated often, including on seven films, the TV show The Unit, the one-man Broadway show Ricky Jay and His 52 Assistants, and Redbel
…In honor of her introduction lớn the collection, with An Angel at My Table, we asked director Jane Campion to contribute a danh mục of tarotnlife.edu.vn films that are on her mind at the moment. Campion’s debut feature, Sweetie, is also available from tarotnlife.edu.vn
…Akira Kurosawa once said, “The ordinary Japanese actor might need ten feet of film to get across an impression. Toshiro Mifune needed only three feet.” The filmmaker certainly gave Mifune a lot of space, however: over the course of sixteen collaborations, the actor & the director created some of the most dynamic characters ever put on-screen, all marked by an intense physicality and a surprising tenderness. Kurosawa first took note of the handsome actor when Mifune was twenty-seven, during an xuất hiện audition at Toho Studios; he was soon cast in Snow Trail (1947), a film Kurosawa wrote for director Senkichi Taniguchi. Just one year later, Kurosawa gave him the lead in Drunken Angel as a consumptive gangster. Mifune proceeded khổng lồ inhabit a variety of deeply felt roles for Kurosawa, including an artist hounded by paparazzi (Scandal); a bandit who may or not be a rapist và murderer (Rashomon); a loose cannon ronin who reluctantly protects a village (Seven Samurai); an elderly patriarch terrified of a second nuclear attack (I Live in Fear); and, probably most iconically, the wily, shiftless samurai Yojimbo. Mifune is known for more than his work with Kurosawa; see him in Hiroshi Inagaki’s Oscar-winning Samurai Trilogy & Masaki Kobayashi’s Samurai Rebellion. But it is Kurosawa’s greatest films that are most unimaginable without Mifune’s bravado streaking across them like lightning. The pair parted ways professionally in 1965.
